A development program for a desired bicycle system in the Boise Metropolitan area. Emphasis is placed on providing service to the commuter and recreational bicyclist, and separating bicyclists and motor vehicles whenever possible for safety.
Housing developments; City planning; Municipal government; Urban renewal;
A report on the actions of the Boise Convention & Visitors Bureau roughly from 1982 to 1985, also includes "1984 Trends Survey Results," from the International Association of Convention & Visitor Bureaus.
A Comprehensive General Plan for guiding the future growth and development of Boise City. It is submitted after almost two years of study by a Planning Commission and Zoning Commission working in cooperation with other public officials and with the...
A Development Guide for the Central District of Boise. This guide is first a statement of objectives setting forth basic development goals and the specific planning proposals necessary to produce an attractive and efficient city center that will...
Field trip notebook of Edward F. Rhodenbaugh, mostly in Idaho locations. Note: blank pages were not included in the digital copy, but included in the pagination.
Hammett, Dashiell, 1894-1961--Criticism and interpretation; Chandler, William, 1888-1959--Criticism and interpretation; Women and literature--United States--History--20th century; American fiction--California--History and criticism; City and town...
A development program for a desired bicycle system in the Boise Metropolitan area. Emphasis is placed on providing service to the commuter and recreational bicyclist, and separating bicyclists and motor vehicles whenever possible for safety.
Fisher, Vardis, 1895-1968--Criticism and interpretation; Frontier and pioneer life in literature; West (U.S.) in literature; West (U.S.)--Intellectual life; Idaho in literature;
A 1:17 minute quadrille sett, was originally published by Henry Kleber's "The Engagement Quadrille" in 1851 in the key of C. This song features Vivian Williams on the violin and Phil Williams on the guitar, as performed in 2011.