Housing developments; City planning; Municipal government; Urban renewal; Parking;
A parking study for the Boise Downtown Redevelopment Project. The project is proposed as a mixed-use development containing office, retail, theater, hotel, and convention center uses. Located on eight blocks of downtown Boise, the project will be...
Robert W. Limbert (far left) and three unidentified men stand next to a prepared moose head. The men stand outside of Limbert's first taxidermy shop in Boise, 123 S. 11th Street, which he opened with Ernest C. Eckert in 1915. Other prepared...
Letterhead from Robert W. Limbert's taxidermy shop located at 123 S. 11th Street in Boise, Idaho. Limbert's partner was patternmaker E.C. Eckert from 1915-1918.
Housing developments; City planning; Municipal government; Urban renewal;
An Urban Renewal Plan for the Boise Central District Redevelopment Project in the City of Boise, and consists of the Text, the Description of the Project Area Boundaries, the Project Area and Land Use Map, the Description of the Properties within...
Housing developments; City planning; Municipal government; Urban renewal;
A report on the actions of the Boise Convention & Visitors Bureau roughly from 1982 to 1985, also includes "1984 Trends Survey Results," from the International Association of Convention & Visitor Bureaus.
Housing developments; City planning; Municipal government; Urban renewal; Shopping centers;
A proposal to the City of Boise to develop a shopping center, or mall, at the current location of Quinn's Pond, the Clock Tower Apartments, and the proposed Whitewater Park boulevard - an area at the end of 30th street.
Nell Shipman and her sled dogs Tex and Lady at Coolin, Idaho, the town closest to her movie camp, Lionhead Lodge, on the shores of Priest Lake, Idaho. The two-horse team, hitched to a wagon with runners, was to take Nell and her dogs to the...
Nell Shipman on the way to publicity appearances for her film, "The Grub-Stake." Her sled dogs Tex and Lady are in the background; the man with her is not identified. Shipman described the scene in her autobiography, "The Silent Screen & My...
Nell Shipman and a fawn. This may be the photo of Shipman and a fawn that cinematographer Joseph B. Walker described taking in his memoir, "The Light on Her Face" (1984), page 123.
